Show Credits

New Zealand Crew

Sound

Ian Masterton

Hammond Peek

Ray Beentjes

Dave Madigan

Australian Crew

Camera

Andrew Wallace

Craig Donaldson

Sound Mix

Andy Postle

Peter Clark

Gaffer

Clif Henry

Grip

Leo Cowman

Grading

Ben Rogers, Oktobor

Super8 Assistance

John Calder

Graphic Design

Kirstin Marcon

Voice Recording

Sound Firm

Audio Mix

Lloyd Canham, Eden Terrace Audio

Production Consultants

Gordon Brown

Martin Browne

Victoria Carr

Line Producer

Sandra Clark

Production Coordinator

Juanita Dobson

Director of Marketing

Geoff Burton

Researcher

Richard Browes

Writers

Richard Browes

Rachel Gardner

Martin Browne

Paul Swadel

Online Editor

Keith McLean

Sound Design

Dave Whitehead

Additional Music

James Hall, Soundtrax

Director of Photography

Leon Narbey

Interviewer

Martin Browne

Editor

Jonathan Brough

TV One Commissioning Editor

Jude Callen

TVOne Executive

Tony Holden

Executive Producer

Ross Jennings

Associate Producer

Rachel Gardner

Producer

Robin Scholes

Director

Paul Swadel

Colin McCahon - I AM


"Most of my work has been aimed at relating man to man to this world, to an acceptance of the very beautiful and terrible mysteries that we are part of. I aim at very direct statements and ask for a simple and direct response. Any other way the message gets lost."- Colin McCahon 

Colin McCahon is the first New Zealand painter of major international importance, and his stature in the arts of Australasia is unique. McCahon's work includes the exploration of the nature of spiritual belief and experience. Also central to his work are the issues of identity and spirituality through the New Zealand landscape, an exploration of Maori and environmental concerns and an attempt to engage with the challenges of "modernism" and abstraction. 

The McCahon documentary follows three story threads over a fifty-year period. Firstly his work, which began as totally iconoclastic and took its own unique path to become visionary. Secondly the film tracks the changing cultural landscape of New Zealand as it gradually cut the umbilical cord with Mother England. In addition, there's the story of the man. McCahon followed the path of a modernist painter in the middle of the depression - twenty years before the first dealer gallery in New Zealand even existed. A brave and uncompromising path that saw him derided and misunderstood for most of his career, by both the art establishment and the general public. 

 I AM is a story of single-minded obsession that is tinged with ultimate sadness. This is a strong, compelling and important story in 20th century art history that is unearthed for the first time in McCahon, I AM.